505 results found

1. Indesign CJK Version Request : Standard Vertical Roman Alignment

   Please add the simple feature of standard vertical roman alignment in adobe indesign CJK version as well.

   In all the other versions of Indesign, and also in other basic applications like the photoshop or illustrator, there is an option to vertically align roman alphabets. However, in the CJK version, the vertical writing tool only provides the option to typeset the roman alphabets and numbers in a 90 degree rotated way.

   If I wanted to write them vertically without having to rotate it, I have to manually do so in Character settings, but that is not a good option since the vertical kerning setting would not be applied, and would be forced rotated. Please add the simple feature of standard vertical roman alignment in adobe indesign CJK version as well.

   Please add the simple feature of standard vertical roman alignment in adobe indesign CJK version as well.

   In all the other versions of Indesign, and also in other basic applications like the photoshop or illustrator, there is an option to vertically align roman alphabets. However, in the CJK version, the vertical writing tool only provides the option to typeset the roman alphabets and numbers in a 90 degree rotated way.

   If I wanted to write them vertically without having to rotate it, I have to manually do so in Character settings, but that is not a good option since the… more

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2. 'Paste Attributes' - just like in Premiere Pro

   If I have a couple of images placed on a page, if I want to match the attributes (eg. reference point, x offset, width, rotation angle, etc.) of picture B with picture A, I have to either manually remember (or copy) enter each of picture A's number and enter it into picture B's attributes, or use a script such as Equalizer.

   It would be fantastic to have something just like Premiere Pro's Paste Attributes. Using this, I could select picture A, do Edit>Copy, then select picture B, do Edit>Paste Attributes... and a dialog box would pop up asking which attributes (eg. reference point, x offset, width, rotation angle, etc.) I wish to apply. It works brilliantly in Premiere - can we have the same kind of thing in InDesign please?

   If I have a couple of images placed on a page, if I want to match the attributes (eg. reference point, x offset, width, rotation angle, etc.) of picture B with picture A, I have to either manually remember (or copy) enter each of picture A's number and enter it into picture B's attributes, or use a script such as Equalizer.

   It would be fantastic to have something just like Premiere Pro's Paste Attributes. Using this, I could select picture A, do Edit>Copy, then select picture B, do Edit>Paste Attributes... and a dialog box would pop up asking which attributes… more

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3. No transition effects to assist loading pages with identical backgrounds.

   By default Publish online introduces a fade on page load even when there are no transitions applied in InDesign. This interferes when you use multiple pages to spoof the appearance of navigating within a one-page environment.

   When I export to PDF the background isn't redrawn so the appearance of the linked page appears smoothly. Publish Online is clunky when loading the next page as it momentarily goes black and then fades-in the page items.

   A bit of background .... I've created a page with a number of rollover buttons, then a duplicate of that page which is navigated to (x10) upon click release, to act as a navigable table of links for sections of a company assessment with one of our clients.

   By default Publish online introduces a fade on page load even when there are no transitions applied in InDesign. This interferes when you use multiple pages to spoof the appearance of navigating within a one-page environment.

   When I export to PDF the background isn't redrawn so the appearance of the linked page appears smoothly. Publish Online is clunky when loading the next page as it momentarily goes black and then fades-in the page items.

   A bit of background .... I've created a page with a number of rollover buttons, then a duplicate of that page which is navigated to (x10)… more

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4. allow pasting from left page to right page in master- exactly the same location

   Every time I make a new document- my masters can be complex but the left and right side of the same master are a pain to make exactly the same.

   So either make copy and paste work better in masters or add a feature that allows left and right sides to be lined up the same.
   I want to be able to set all my parts and then set guides on the left side—
   and then copy them ALL- guides, date, page numbers, doc name and other items to EXACTLY paste in the right hand side.
   Right now Paste In Place pastes on the left side, why cant I click on the right side and paste in exactly the same alignment?
   Right now I have to group all together then nudge a pixel at a time.

   THEN check the pages to see if anything jumps, Then adjust and adjust.
   Masters are archaic right now. They could be WAY BETTER.

   Every time I make a new document- my masters can be complex but the left and right side of the same master are a pain to make exactly the same.

   So either make copy and paste work better in masters or add a feature that allows left and right sides to be lined up the same.
   I want to be able to set all my parts and then set guides on the left side—
   and then copy them ALL- guides, date, page numbers, doc name and other items to EXACTLY paste in the right hand side.
   Right now Paste In… more

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5. Apply gabarits with conditions

   Hello, after a long research, I notice that there is no possibility to apply gabarits according to rules (presence of text, grep, presence of image, percentage of filled text block, presence of style, etc.) to specific pages (on the first/last page, between some pages, grep-like operation, etc.). This could be done by giving several templates to a page and giving rules to choose which one to apply (with an option to choose the pages dynamically).
   For my part, I'm desperately looking for a dynamic and automated way to hide the folio/page number when it's an empty (no text) or almost empty page. This is the case for pages before chapters (1 or 2 pages). This could be one of the many applications of this feature

   I'm french so I'm sorry if there are any language mistakes…

   Hello, after a long research, I notice that there is no possibility to apply gabarits according to rules (presence of text, grep, presence of image, percentage of filled text block, presence of style, etc.) to specific pages (on the first/last page, between some pages, grep-like operation, etc.). This could be done by giving several templates to a page and giving rules to choose which one to apply (with an option to choose the pages dynamically).
   For my part, I'm desperately looking for a dynamic and automated way to hide the folio/page number when it's an empty (no text) or almost… more

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6. page sorter

   When I'm working on a long document, it's very hard to find a specific page that I know the look of, but don't know the page number to. And trying to move pages around is also ver hard in the small Page panel.
   It would be nice to be able to switch views in the main document window/panel to something that looks like the slide sorter on Microsoft Powerpoint. Where the thumbnails of each page isn't as small as they are on the Pages panel and there is a much larger screen real estate to sort through the pages.
   We could toggle between regular view and slide sorter view with a shortcut button maybe next to the Split Layout button on the bottom right.

   When I'm working on a long document, it's very hard to find a specific page that I know the look of, but don't know the page number to. And trying to move pages around is also ver hard in the small Page panel.
   It would be nice to be able to switch views in the main document window/panel to something that looks like the slide sorter on Microsoft Powerpoint. Where the thumbnails of each page isn't as small as they are on the Pages panel and there is a much larger screen real estate to sort through the pages.
   We… more

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7. Convert Page Guides to Spread Guides

   I would like to suggest a small but highly useful improvement for a future update of InDesign.

   Currently, when guides are placed within a single page, there is no built-in way to convert them into spread guides (guides that span across the entire spread), unless they are re-created manually while holding Ctrl/Cmd during placement. This becomes especially frustrating when a layout contains a large number of precisely positioned guides that need to be extended to the full spread — for example, after a reorganization of pages or when switching from single-page to spread layout.

   Feature suggestion:
   Please consider adding an option to convert selected page guides into spread guides directly — either via right-click context menu (Convert to Spread Guide) or through a menu item under Layout > Guides.

   This small addition would greatly improve workflow efficiency and reduce repetitive manual adjustments in guide-heavy documents, particularly for designers working on magazines, catalogs, or editorial layouts.

   Thank you for your continued development of InDesign and for listening to user feedback.

   Kind regards

   I would like to suggest a small but highly useful improvement for a future update of InDesign.

   Currently, when guides are placed within a single page, there is no built-in way to convert them into spread guides (guides that span across the entire spread), unless they are re-created manually while holding Ctrl/Cmd during placement. This becomes especially frustrating when a layout contains a large number of precisely positioned guides that need to be extended to the full spread — for example, after a reorganization of pages or when switching from single-page to spread layout.

   Feature suggestion:
   Please consider adding an… more

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8. Workflow issue: Composite fonts increase uncontrollably when switching projects

   Category: Text and Type (Composite fonts issue specific to Japanese workflows)

   Composite fonts are a feature of the Japanese version of InDesign, widely used in the workflows of Japanese publishers.

   Currently, InDesign identifies composite fonts only by their names. When multiple documents containing composite fonts with the same name but different settings are opened at the same time, InDesign forcibly duplicates and renames them (e.g. “FontName 2”, “FontName 3”, …). As a result, the number of composite fonts grows uncontrollably, making font management extremely confusing.

   This behavior causes serious workflow problems:

   • It prevents efficient switching between projects.

   • It makes collaboration with external partners painful, since documents brought back from subcontractors often contain duplicated composite fonts with the same names.

   • Users are forced to manage unnecessary duplicates, even though they did not create them.

   Request:
   Please assign a unique ID to each composite font internally (or identify them by name + definition hash), so that composite fonts with the same name but different settings can coexist in the application without being duplicated or renamed.

   This issue has been reported for years but remains unresolved.
   In Japanese publishing workflows, it causes serious inefficiency and confusion.
   We strongly request that Adobe review this behavior and provide a structural fix, not just a workaround.

   Category: Text and Type (Composite fonts issue specific to Japanese workflows)

   Composite fonts are a feature of the Japanese version of InDesign, widely used in the workflows of Japanese publishers.

   Currently, InDesign identifies composite fonts only by their names. When multiple documents containing composite fonts with the same name but different settings are opened at the same time, InDesign forcibly duplicates and renames them (e.g. “FontName 2”, “FontName 3”, …). As a result, the number of composite fonts grows uncontrollably, making font management extremely confusing.

   This behavior causes serious workflow problems:

   • It prevents efficient switching between projects.

   • It makes collaboration… more

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9. Online typesetting solution based on Web browser

   Respected Adobe Advisor

   Hello, I am tophere International Group in the Department of R & D personnel inChina. according to science and technology limited company, is responsible for research and development of intelligent editing system of our company. We hope to get your support and help by online editing and typesetting through Web browsers.
   We through the investigation of a large number of customers, found that InDesign is a desktop publishing software is very professional, and there are a lot of comments from our customers, in response to customer needs, we want the convenience of the customer application system of our platform above, add the corresponding functions to ask the following questions, hope to get your professional answer:
   Q-01:
   InDesign desktop, is it possible to provide interface services, or SDK development packages, so that our Web applications can call InDesign's basic typesetting functionality?
   Q-02:
   InDesign Creative Cloud cloud service, can we provide the corresponding interface so that our Web application can use InDesign's basic typesetting functionality?

   If the above two ways are temporarily unable to provide the interface call service, can we ask the R & D team to order the corresponding services for us, please inform the detailed solutions and budget.
   Mode of contact:

   Respected Adobe Advisor

   Hello, I am tophere International Group in the Department of R & D personnel inChina. according to science and technology limited company, is responsible for research and development of intelligent editing system of our company. We hope to get your support and help by online editing and typesetting through Web browsers.
   We through the investigation of a large number of customers, found that InDesign is a desktop publishing software is very professional, and there are a lot of comments from our customers, in response to customer needs, we want the convenience of the customer application system of… more

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10. Add AI-Powered Natural Language Processing (NLP) Engine for InDesign with Full Persian Language Support

    InDesign is a powerful tool for multilingual publishing, but it still lacks smart support for right-to-left languages like Persian (Farsi).
    We propose integrating an AI-powered Natural Language Processing (NLP) engine—especially with Persian language capabilities—to help automate and enhance the typesetting process.
    🔍 Key Features this engine could offer:
    Automatic detection and correction of text language (Arabic → Persian).
    Intelligent number conversion (Arabic, Persian, or Latin based on text context).
    Auto-insertion of half-spaces (نیم‌فاصله) where appropriate.
    Smart paragraph and character styling suggestions based on content type.
    AI-based proofreading and grammar suggestions.
    Content-aware layout and reflow recommendations.
    Summarization and auto-captioning tools.
    💡 Why this matters:
    Persian users face unique challenges when working with text-heavy documents. Currently, most corrections are done manually or with external scripts. A built-in NLP engine would drastically reduce the time spent on micro-adjustments and improve overall quality.
    This would not only benefit Persian speakers, but also open up future possibilities for AI-powered publishing in other RTL and non-Latin languages.
    🗳️ Please upvote if you want Adobe to bring AI into InDesign for real-time, language-aware document editing!

    InDesign is a powerful tool for multilingual publishing, but it still lacks smart support for right-to-left languages like Persian (Farsi).
    We propose integrating an AI-powered Natural Language Processing (NLP) engine—especially with Persian language capabilities—to help automate and enhance the typesetting process.
    🔍 Key Features this engine could offer:
    Automatic detection and correction of text language (Arabic → Persian).
    Intelligent number conversion (Arabic, Persian, or Latin based on text context).
    Auto-insertion of half-spaces (نیم‌فاصله) where appropriate.
    Smart paragraph and character styling suggestions based on content type.
    AI-based proofreading and grammar suggestions.
    Content-aware layout and reflow recommendations.
    Summarization and auto-captioning tools.
    💡… more

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11. Conditional Vertical Justification

    Add a new option to the Vertical Justification settings for text frames: "Conditional Justify".
    Behavior

    When Conditional Justify is selected, vertical justification is applied only when the text frame is sufficiently filled.
    Add a numeric field: Content fill threshold (%).
        If the frame’s text occupies a percentage equal to or greater than this threshold, the frame receives full vertical justification.
        If the frame’s fill is below this threshold, the frame uses the chosen fallback alignment.
    

    Fallback option

    Provide a dropdown: Fallback alignment with the classic vertical choices: Top, Center, Bottom.
    

    Notes / Suggested defaults

    Default Content fill threshold: 90% (editable).
    Default Fallback alignment: Top.
    Show a small live preview or indicator in the Text Frame Options dialog that displays the current frame’s content fill percentage.
    

    Rationale (brief)

    This lets designers apply full vertical justification only when a frame is nearly full, avoiding awkward spacing in partially filled frames while maintaining consistent alignment when content is dense.
    Additional conditions may be added later (e.g., minimum/maximum number of paragraphs, presence of headings, or specific glyph counts).

    Add a new option to the Vertical Justification settings for text frames: "Conditional Justify".
    Behavior

    When Conditional Justify is selected, vertical justification is applied only when the text frame is sufficiently filled.
    Add a numeric field: Content fill threshold (%).
        If the frame’s text occupies a percentage equal to or greater than this threshold, the frame receives full vertical justification.
        If the frame’s fill is below this threshold, the frame uses the chosen fallback alignment.
    

    Fallback option

    Provide a dropdown: Fallback alignment with the classic vertical choices: Top, Center, Bottom.
    

    Notes / Suggested defaults

    Default Content fill threshold: 90% (editable).

    … more
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12. Combine Enhance Scanned File with AI

    I have a very large scanned pdf of a document that was typed with an old typewriter. I am transferring it all to InDesign and the quality of the text when I copy and paste from the scanned document is awful which is making me have to retype large chunks.
    It would be very powerful to use AI to test the text and make sense of it rather than the current output which is mostly garbage.
    And when I use the spell suggester, it comes out with such random suggestions which bear no relation to the actual spelling of the word - no context is taken in to the suggestions. Also, the number of times it suggests covid and brexit are ridiculous.
    This whole area of InDesign could be massively improved.
    Thank you.

    Example:
    “ Well I agree about that, he ,.,alk3 vri. th tho ca.””’Oful,
    M”a.surecl tread of a ,,a--itber oi􀎐 a tiger stoJJring the jungle, that ‘a
    just what atru.ok me e.bout h:im. “
    When the original says:
    “Well I agree about that, he walks with the careful, measured tread of a panther or a tiger stalking the jungle, that’s just what struck me about him.”

    I have a very large scanned pdf of a document that was typed with an old typewriter. I am transferring it all to InDesign and the quality of the text when I copy and paste from the scanned document is awful which is making me have to retype large chunks.
    It would be very powerful to use AI to test the text and make sense of it rather than the current output which is mostly garbage.
    And when I use the spell suggester, it comes out with such random suggestions which bear no relation to the actual spelling of the… more

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13. content formatting as styles

    The ability to create a content format as a style. Example: currency - so you could have 19.95 or 3 or 12.2, you would have a "currency" style that takes the numbers and reformats as $19.95, $3.00, or $12.20 (with the ability to add character styles to specific elements) - so you could make the cents be superscript, make the decimal disappear. Also adding the option as to whether or not the styling should be virtual (the actual content is not changed, just the appearance) or restyled (it would actually change the content). This could be done in a GREP method, but actually allow the grep style to add characters to the output. Examples could also be automatically adding a thin-space inside of a style meant to "highlight" a word (so that the highlight starts and ends outside of the word/phrase). This could also allow for the inserting of formatting characters needed for a particular output (like a list of definitions - we need the first word, then a tab, then a hard-align character, then a run-in, an italic, etc...

    The ability to create a content format as a style. Example: currency - so you could have 19.95 or 3 or 12.2, you would have a "currency" style that takes the numbers and reformats as $19.95, $3.00, or $12.20 (with the ability to add character styles to specific elements) - so you could make the cents be superscript, make the decimal disappear. Also adding the option as to whether or not the styling should be virtual (the actual content is not changed, just the appearance) or restyled (it would actually change the content). This could be done in a GREP… more

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14. Add custom labels to page thumbnails in the Pages panel

    As someone who regularly works with large, multi-page InDesign documents - especially project-based packages - I’d love to see the ability to assign custom labels or names to individual pages in the Pages panel.

    Currently, when I need to go back and edit a specific project page in a large qualifications package, it’s difficult and time-consuming to locate the right page. Using only numerical page numbers doesn’t give me the context I need, especially when each page represents a different project.

    While section markers and visible labels on the page help somewhat, these don’t make navigation faster within the Pages panel. What would really help is the ability to:

    • Add custom labels (e.g., "Project Name, Client Grouping") next to or beneath page thumbnails in the Pages panel

    • Use those labels to search, sort, or jump to specific pages more easily

    • Keep things organized when working with 50+ pages of unique but visually similar content

    This feature would make InDesign much more efficient for designers managing complex documents — especially in architecture, marketing, publishing, and design studios.

    As someone who regularly works with large, multi-page InDesign documents - especially project-based packages - I’d love to see the ability to assign custom labels or names to individual pages in the Pages panel.

    Currently, when I need to go back and edit a specific project page in a large qualifications package, it’s difficult and time-consuming to locate the right page. Using only numerical page numbers doesn’t give me the context I need, especially when each page represents a different project.

    While section markers and visible labels on the page help somewhat, these don’t make navigation faster within the Pages… more

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15. Menu Toolbar

    AOL helpline and Customer support is always available for AOL users. AOL provides round the clock assistance as it values its users more than anything.

    E-mail services provided by AOL holds a renowned position in the online market. These services are used by millions of users across the globe to communicate and disseminate information to each other. We all must have encountered some sort of glitch while using an e-mail service. Similarly, there are occasions when AOL service users face unexpected errors. These errors can be technical or mechanical or even systematic in some cases. Well, whatever the type of error is, AOL customer service team helps you resolve it. Every problem is addressed diligently by AOL professionals. All you have to do is contact their support team, tell them your problem and the rest is taken care of by the experts. You will see, your issue is addressed in no time and you can resume your work through the service.

    https://emailsupportme.com/aol-mail-helpline-number/

    AOL helpline and Customer support is always available for AOL users. AOL provides round the clock assistance as it values its users more than anything.

    E-mail services provided by AOL holds a renowned position in the online market. These services are used by millions of users across the globe to communicate and disseminate information to each other. We all must have encountered some sort of glitch while using an e-mail service. Similarly, there are occasions when AOL service users face unexpected errors. These errors can be technical or mechanical or even systematic in some cases. Well, whatever the type of… more

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16. Zoom to selection is not using enough screen real estate

    when using shortcut shift-cmd-= to perform a zoom to selection, the object is being centred, which is good, but the zoom view is too small given that there're just too many spaces being left around the object.

    Ideally, when zoom to selection this will snugly fit the object just into the window, which I found an interesting coincidence. Say for example, theres an object thats being set to zoom to selection, and the zoom level of it is 30.7% (and just feel how small the object would look on screen at this level), then you multiply this number by 2, and change the zoom level to 61.4%, and boom, the object can PERFECTLY fit into the window.

    I assume this is what this shortcut mean to perform in old days when there's no retina display (which is why you multiply 2 and it fits perfectly)

    but instead of fit it perfectly into the window (which by even fixing this is already a huge appreciation), I prefer to leave a tiny small gap around the mostly closed edge (eg the top & bottom gap for a portrait object, or the left and right gap for lanscape), quite often what i want to do next is to resize, and if they fit perfectly next to the edge, its hard to select the corner or so to drag. By leaving a small gap this will be the ultimate solution for this shortcut

    when using shortcut shift-cmd-= to perform a zoom to selection, the object is being centred, which is good, but the zoom view is too small given that there're just too many spaces being left around the object.

    Ideally, when zoom to selection this will snugly fit the object just into the window, which I found an interesting coincidence. Say for example, theres an object thats being set to zoom to selection, and the zoom level of it is 30.7% (and just feel how small the object would look on screen at this level), then you multiply this number by 2,… more

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17. horizontal table flow in text boxes

    Right now, if you have a table that has more rows than the text box can handle vertically, the table will auto-flow into a new/threaded text box, or another column within the text box. It would be really helpful if tables could the same thing horizontally.

    For example, let's say you set up a table with 3 rows, first with images, a second with item numbers, and a third with descriptions. Each column for this set up is an inch wide, and you have 30 items that each need their own column, but you want it to fill an 8.5x11 sheet.

    As of now, that table will just extend past the edges of the text box/page. You have to manually cut/paste the table in sections back into the text box if you want the table to continue down the page when it hits the horizontal edge. It would be great if tables could treat the horizontal edges just like it does the vertical one, like regular text, and continue on the next line.

    I hope this all makes sense. I know it's not necessarily a typical use case, but for many of the catalog type pages I make, it would be extremely helpful if this were possible, and I didn't have to do this by hand every time.

    Right now, if you have a table that has more rows than the text box can handle vertically, the table will auto-flow into a new/threaded text box, or another column within the text box. It would be really helpful if tables could the same thing horizontally.

    For example, let's say you set up a table with 3 rows, first with images, a second with item numbers, and a third with descriptions. Each column for this set up is an inch wide, and you have 30 items that each need their own column, but you want it to fill an 8.5x11… more

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18. Hello, In Indesign, it would be interesting in the 'text block' to have the option 'Adapt the text to the block'. The option exists for the

    Hello,

    In Indesign, it would be interesting in the 'text block' to have the option 'Adapt the text to the block'. The option exists for the image block 'to adapt the image to the block proportionally' to adapt this option to the 'text block' would be a saving of time and the possibility to automate a good number of works. For example, to change from A6 to A5 via the linked article system it works great with the image block and not at all with the text block. The only possibility of action with the 'Text block' is to enlarge or reduce it according to the amount of text you want.
    I would also like to be able to choose to enlarge or reduce the text in a 'text block' according to the size of the text block and not according to the amount of text that the block can or must receive.
    If it can put you on the track this function exists at CorelDraw when one has text in a 'block text' with a right click of the mouse one can adapt the text to the size of 'block text' and according to the amount of text in the text block increases or decreases the text size proportionally in the 'text block'.
    In the hope that my need and wish is realized in one of your next update of Indesign.
    cordially
    Sandrine

    Hello,

    In Indesign, it would be interesting in the 'text block' to have the option 'Adapt the text to the block'. The option exists for the image block 'to adapt the image to the block proportionally' to adapt this option to the 'text block' would be a saving of time and the possibility to automate a good number of works. For example, to change from A6 to A5 via the linked article system it works great with the image block and not at all with the text block. The only possibility of action with the 'Text block' is to enlarge… more

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    Need More Info  ·  amaarora responded

    Hi,
    Please see if using the “Free transform tool” solves your purpose
    Just select the object, switch to the Free Transform tool, and place your cursor over one of the corner or side points. When you see the double-headed arrow, drag.

    -Thanks

19. support languages of Vanuatu, which are currently very difficult to typeset, with no text flow

    AFAICT, InCopy (and InDesign) do not currently support several writing systems, which makes font design for those scripts difficult. The avoiuli script of Vanuatu, for example, which is boustrophedon and can change from btm-to-top to top-to-btm. I'm working with a professional typographer, and trying to design a font that can't be implemented by any word processor that we know of means that a lot of choices in the design are probably not optimal. The best option currently seems to be placing a hard return at the end of each line, with manual RTL/LTR control, and sorting the lines in reverse in many cases. That messes with text flow and makes InCopy/InDesign essentially useless for publication. It's actually easier to typeset in a spreadsheet! (That lets you sort by line number, whereas in InCopy, in order to rearrange the text one needs to cut and paste each line of text individually.)

    Feel free to contact me about requirements, but basically we need boustrophedon support. Texts may start LTR or RTL, and may proceed bottom-to-top or top-to-bottom. Formal text direction is RTL bottom-to-top, but under Latin influence LTR top-to-bottom is usual in informal texts -- though still boustrophedon. Glyphs flip direction (mirror-image) when the line direction changes, though of course that could be handled by the font. It's also a linking script, which needs to be kept in mind when changing direction.

    I don't expect much from MS Word, and LibreOffice is volunteer-run and does not have the resources for minority-language support. It would be nice if an elite product like InCopy could provide support to unsupported languages. MW and others might then follow suite.

    AFAICT, InCopy (and InDesign) do not currently support several writing systems, which makes font design for those scripts difficult. The avoiuli script of Vanuatu, for example, which is boustrophedon and can change from btm-to-top to top-to-btm. I'm working with a professional typographer, and trying to design a font that can't be implemented by any word processor that we know of means that a lot of choices in the design are probably not optimal. The best option currently seems to be placing a hard return at the end of each line, with manual RTL/LTR control, and sorting the lines in reverse… more

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20. Add ability to make resusable/editable linked COMPONENTS (like in XD)

    InDesign has been dancing around the edges of this idea for years, with half-baked features like snippets, libraries, linked items in the content grabber....but it never has gotten it right. What we need is something exactly like the "components" feature in Adobe XD. We grab some objects, and then "Make Component" out of them. Then we can plop multiple instances of that component throughout the document. If we go back and edit the "Main Component" those changes are automatically applied to all placed instances of it.

    Yes, I know you can place one indesign doc into another, which is the workaround I've been doing for years. But that is very slow and clunky in practice. One reason is we're handcuffed to the "page" and "page size" mentality. Many components—being just collections of shapes/objects—do not need a set "page size" and it's annoying to have to keep adjusting a page to fit the objects as they evolve. Another reason is file management. If we put all our "components" into separate indesign files, it becomes a pain to share styles/swatches between them. If we group them all in one indesign file, we're then limited to referring to them only by page number (since we STILL can't name our pages). This gets cumbersome as we add/move/removee pages and place the items "by page" into our main indesign document.

    Snippets, content grabber, libraries, do not create "linked instances of editable main components" in the same useful way that XD does.

    InDesign has been dancing around the edges of this idea for years, with half-baked features like snippets, libraries, linked items in the content grabber....but it never has gotten it right. What we need is something exactly like the "components" feature in Adobe XD. We grab some objects, and then "Make Component" out of them. Then we can plop multiple instances of that component throughout the document. If we go back and edit the "Main Component" those changes are automatically applied to all placed instances of it.

    Yes, I know you can place one indesign doc into another, which is the… more

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