620 results found

1. Match Page Navigation When Comparing Two Documents Side-By-Side

   It would be helpful if page navigation in one document could be matched in the other when comparing two documents side-by-side, i.e., when comparing two versions of a document.

   As it is, it's necessary to navigate, i.e., page-down, in one document then click on the other document and repeat the navigation. As there's no key command to switch tabs/documents/windows either, it's even more unproductive.

   Having the option to make the other document in the 2-up arrangement match navigation would improve productivity greatly.

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2. Implement Key Command for Switching Tabs/Documents/Windows

   Implement the standard Mac Command+~ [tilde] key command for switching between InDesign tabs/documents/windows.

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3. Regression: Inability to cycle through Blend Modes using arrow keys in the Effects Panel

   Hi Adobe Team,
   I am reporting a significant workflow regression in the InDesign Effects Panel (and Properties Panel) that has persisted into the 2026 versions.

   The Issue:
   In older versions of InDesign, users could click on a Blend Mode (e.g., "Multiply") in the Effects Panel and then use the Up/Down arrow keys to instantly cycle through other modes. The effect was applied immediately to the selected object, allowing for a fast visual preview of all blending options.

   Current State:
   This functionality is broken.
   Clicking a Blend Mode and using arrow keys often moves the object on the canvas instead of changing the selection in the dropdown menu.
   The "focus" on the dropdown is lost immediately after selection.
   Even when using the Properties Panel (Opacity > Blend Mode), the menu requires constant re-opening, making it impossible to quickly compare different effects.

   Why this matters:
   This change forces users to manually open the dropdown menu for every single effect they want to try (e.g., 15 clicks to see 15 modes). This is a massive downgrade in UI efficiency for designers.

   Please restore the "Sticky Focus" on the Blend Mode dropdown menu in the Effects Panel, allowing the arrow keys to cycle through options with an instant live preview, as it functioned in legacy versions.

   Thanks a lot, Pavla.

   Hi Adobe Team,
   I am reporting a significant workflow regression in the InDesign Effects Panel (and Properties Panel) that has persisted into the 2026 versions.

   The Issue:
   In older versions of InDesign, users could click on a Blend Mode (e.g., "Multiply") in the Effects Panel and then use the Up/Down arrow keys to instantly cycle through other modes. The effect was applied immediately to the selected object, allowing for a fast visual preview of all blending options.

   Current State:
   This functionality is broken.
   Clicking a Blend Mode and using arrow keys often moves the object on the canvas instead of… more

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4. Add a toggle for switching between inches and picas. Inches for outer trim of product; picas for typography.
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5. Expand Support for Typesetting in Arabic and Other Right-to-Left Languages

   My company does a lot of design work that has to do with getting information about public health and safety to audiences for whom English is not a first language. Clear, careful communication of these topics and issues to all people—in their native languages—is essential. It ensures that everyone has the same access to information about their health and well-being.

   When we translate our designs, that often includes languages that read from right to left, like Arabic, Farsi and Hebrew. However, there is currently no reasonable method for working with right-to-left text in InDesign for designers who work with both kinds of text. All the solutions currently available are clunky workarounds. Even with those workarounds, setting right-to-left text is still very difficult, so the margin for error working with text in these languages is still very high. That means the people who speak these languages are more likely than native english speakers to receive inaccurate information.

   One solution is to download the Middle East version of Indesign, but that solution is only temporary because that version of the program doesn't handle Latin characters correctly. You have to constantly uninstall and reinstall the correct version for the language you are working with, which is not a viable option for projects that use both kinds of language.

   Please integrate functionality for right-to-left typesetting in the English (North America) version of InDesign and, in general, expand language support for all languages within the software. I guarantee there are many designers who struggle with this issue but who are quietly putting up with the workarounds. Meanwhile, people who speak languages other than english are less likely to receive reliable, accurate information that is critical to their lives in their own, native tongue.

   My company does a lot of design work that has to do with getting information about public health and safety to audiences for whom English is not a first language. Clear, careful communication of these topics and issues to all people—in their native languages—is essential. It ensures that everyone has the same access to information about their health and well-being.

   When we translate our designs, that often includes languages that read from right to left, like Arabic, Farsi and Hebrew. However, there is currently no reasonable method for working with right-to-left text in InDesign for designers who work with both… more

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6. [ID-4274018] Locate Object and Search Filter for Layers Panel

   It would be really useful to have a Locate Object (magnifier glass) at the bottom of the Layes Panel (like we find in Illustrator).
   A search filter could also be handy when trying to locate object by there name or kind.

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7. Hanging Punctuation needs to include more characters and be customizable #Optical Margin Alignment

   Many people need more characters to hang when Optical Margin Alignment is turned on than what is provided by default. This panel should have settings to customize from the default. The workaround to add a space before the character you want to hang and then adding a huge amount of negative kerning, works, but seriously that's all we've got? That is not a real solution, nor is it efficient for multiple instances in multiple documents worked on by multiple people every week. The time used fussing with this alignment must add up to dozens of hours per month, just within our small group. This feature really needs attention. For example:

   In typography, a reference relating to the main body of text, positioned at the bottom of the page. Footnotes are referenced by certain symbols (*, †, ‡, etc.), letters, or numbers, most often in superior or superscript form.

   A footnote begins on the same page as its reference call, but it may be carried over to the bottom of successive pages. A short rule or additional space should separate the footnote from the text. The first line of each footnote is normally slightly indented.

   Point sizes for footnotes are usually 7- or 8-point. By law, footnotes in financial forms, annual reports, prospectuses, and other SEC documents must be no smaller than the text size, which is 10-point.

   The most common sequence of footnote reference marks is: 1. asterisk (), 2. dagger (†), 3. double dagger (††), 4. paragraph symbol (¶), 5. section mark (§), 6. parallel rules (||), 7. number sign (#). If more are required, they can be doubled up: double asterisks (*), double single daggers (††), double double daggers (††††), etc. However, when many footnotes are used, it is more practical to use consecutive numbers to identify each footnote.

   The Story panel could have options such as "include all characters defined as punctuation in this font" or "only include characters defined as punctuation in this font" and even the ability to define your own list of characters. The characters defined as punctuation are already "known" to InDesign, see the Glyphs panel. It must be possible to link this definition that InDesign already "sees" to Optical Margin Alignment in the Story panel.

   I know this feature was not developed for lists, but it could be very useful for lists with these improvements!

   Many people need more characters to hang when Optical Margin Alignment is turned on than what is provided by default. This panel should have settings to customize from the default. The workaround to add a space before the character you want to hang and then adding a huge amount of negative kerning, works, but seriously that's all we've got? That is not a real solution, nor is it efficient for multiple instances in multiple documents worked on by multiple people every week. The time used fussing with this alignment must add up to dozens of hours per month, just within… more

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8. Help search function to find how to do something like endnotes. (Like in google docs)

   Help search function to find how to do something like endnotes. (Like in google docs)

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9. Improve links palette to include AI file color information

   The Indesign Links palette should show the Adobe Illustrator file document color mode so that I can easily verify that art is CMYK without having to open it in Illustrator. Raster images show RGB, CMYK or Grayscale, but AI files currently give no color information. I understand this might be challenging for EPS or PDF files, but AI files have a Document Color Mode that you must be able to parse from the file.

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10. Turn off blue dots in menu

    The blues dots adressing new functions in the menus are distracting. In the preferences menu there could be and option to turn them off.

    It's rather annoying for a seasoned pro user to allways have to click the functions to turn the circle off.

    However, some circles are permanent. We got blue light random places in the menu. It's bad UX with no possibilities to turn them off. Now the UI is getting cluttered in showing off whats new with dots that will not disappear.

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11. Option to nuke the Share button from space

    Can you just get it done?

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12. Add the ability to color code window tabs and allow custom tab names that are not linked to the actual file name.

    Description:
    The current window tab design in InDesign can become cluttered, especially when working with multiple files that have long names. The tab size automatically adjusts to the length of the file name, which leads to a cluttered workspace, making it difficult to quickly locate and switch between files. I suggest two enhancements:

    The ability to color code window tabs, allowing users to visually differentiate between files at a glance.

    The ability to edit the tab name independently of the file name, so users can give tabs more intuitive or customized names without altering the actual file name. This would help streamline the workflow, especially in projects with many similarly named files.

    Why it is important:
    These enhancements would significantly improve productivity and reduce time spent scrolling and searching for the correct file. By adding color coding and customizable tab names, users would be able to quickly identify the files they are working with, making the workspace more organized and easier to navigate. This is particularly beneficial for designers managing large projects with numerous assets and versions.

    Description:
    The current window tab design in InDesign can become cluttered, especially when working with multiple files that have long names. The tab size automatically adjusts to the length of the file name, which leads to a cluttered workspace, making it difficult to quickly locate and switch between files. I suggest two enhancements:

    The ability to color code window tabs, allowing users to visually differentiate between files at a glance.

    The ability to edit the tab name independently of the file name, so users can give tabs more intuitive or customized names without altering the actual file name. This would… more

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13. Please provide the ability to save a user preset File view

    Please provide the ability to save a user preset File view. I am constantly having to click on List view and setting it to sort A - Z this is becoming cumbersome when trying to quickly navigate my files saved to web in InDesign and other CC applications. I've provided two screen shots. The first one is in grid view which is what adobe always defaults to. The second screen shot is how the view I always use that would be so awesome if it would save which view I am using so I don't have to change it every single time I am navigating file/folder structure.

    Please provide the ability to save a user preset File view. I am constantly having to click on List view and setting it to sort A - Z this is becoming cumbersome when trying to quickly navigate my files saved to web in InDesign and other CC applications. I've provided two screen shots. The first one is in grid view which is what adobe always defaults to. The second screen shot is how the view I always use that would be so awesome if it would save which view I am using so I don't have to change it every… more

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14. Ability to save a user preset File view

    Please provide the ability to save a user preset File view. I am constantly having to click on List view and setting it to sort A - Z this is becoming cumbersome when trying to quickly navigate my files saved to web in InDesign and other CC applications. I've provided two screen shots. The first one is in grid view which is what adobe always defaults to. The second screen shot is how the view I always use that would be so awesome if it would save which view I am using so I don't have to change it every single time I am navigating file/folder structure.

    Please provide the ability to save a user preset File view. I am constantly having to click on List view and setting it to sort A - Z this is becoming cumbersome when trying to quickly navigate my files saved to web in InDesign and other CC applications. I've provided two screen shots. The first one is in grid view which is what adobe always defaults to. The second screen shot is how the view I always use that would be so awesome if it would save which view I am using so I don't have to change it every… more

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15. Make it possible to simply drag an image from Apple Photos into InDesign

    Right now there's many steps required to add an image from Apple Photos to InDesign. You have to download all your images to a folder. Then you have to open the file directory from within the app and search for the image. If you're working with hundreds of images this process is very time consuming and is a real bottleneck.

    What if you could just simply drag and drop? Please make this process easier and more intuitive.

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16. Urgent: Flatplan workflow feature request for InDesign / Bridge (critical for all magazine publishers)

    Hi Adobe team,
    We’re honestly desperate at this point.

    We’ve been trying for weeks to reach someone from Adobe who could even acknowledge this topic — through enterprise support, admin console, chat agents, even our reseller — and it’s absolutely impossible.

    It’s insane that even as an enterprise customer, we can’t reach a real product contact to talk about something so fundamental.
    We’re part of BurdaMedia International (Czech Republic), publishers of ELLE and ELLE Decoration.

    But this isn’t just our pain — it’s something every single magazine publisher still using InDesign is facing.
    There’s simply no native way to plan or visualize flatplans, page structures, ad positions, or collaborative magazine layouts inside Creative Cloud.

    Legacy systems like WoodWing or K4 are outdated, overpriced, and don’t fit today’s workflows — yet Adobe still doesn’t offer even a lightweight in-house alternative.

    Here’s what we’re asking for:
    → A Bridge-based flatplan module (or workspace) that can visualize InDesign pages as individual, draggable objects.
    → The ability to reorder pages, assign colors or labels (editorial, ad, marketing), and link InDesign or PDF files to each position.
    → Automatic renumbering in InDesign when page order changes.
    → Optional PDF preflight and simple export for final issues.

    It’s a technically simple concept — no new platform, just a smarter integration between Bridge and InDesign — but it would solve a huge, decades-old workflow gap.
    This isn’t just about convenience for publishers.
    It’s about Adobe’s relevance in real production.
    If tools like Affinity Publisher or Apple (after acquiring Pixelmator) start offering integrated flatplan collaboration, many teams will start moving away from InDesign.

    We love Adobe, and we’ve built our entire production workflow around it — but right now, we’re forced to sketch magazine layouts in Excel.
    That’s… absurd in 2025.

    Please — could someone from the InDesign or Publishing Solutions product team contact us so we can share our technical brief and prototype concept?

    We’re ready to collaborate and show how easily this could be implemented.

    Daniel Koehler
    Production Workflow Lead
    BurdaMedia Extra CZ / Burda International
    📧 daniel.koehler@burda.cz

    Hi Adobe team,
    We’re honestly desperate at this point.

    We’ve been trying for weeks to reach someone from Adobe who could even acknowledge this topic — through enterprise support, admin console, chat agents, even our reseller — and it’s absolutely impossible.

    It’s insane that even as an enterprise customer, we can’t reach a real product contact to talk about something so fundamental.
    We’re part of BurdaMedia International (Czech Republic), publishers of ELLE and ELLE Decoration.

    But this isn’t just our pain — it’s something every single magazine publisher still using InDesign is facing.
    There’s simply no native way to plan… more

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17. Switching language resets preferences and breaks app recognition in Creative Cloud

    I’m writing as an enterprise customer managing multiple Adobe Creative Cloud licenses across a multilingual team. We frequently switch UI languages and reassign machines, so consistent environment management is essential to maintaining workflow stability.

    When switching InDesign’s UI language through Creative Cloud (for example, from Czech to English), all user-specific settings — workspaces, keyboard shortcuts, export presets, print settings, and scripts — are effectively lost.
    This happens because each language version maintains a separate preferences folder (csCZ, enUS, etc.) with no migration or shared profile mechanism. After changing the install language, Creative Cloud also misidentifies previously installed applications as uninstalled, causing confusion and unnecessary duplication.

    This design makes environment management extremely inefficient for enterprise and multilingual users. Reconfiguring an entire setup every time a language or workstation changes is unproductive and error-prone.

    At the enterprise level, we expect:
    1. Centralized, cloud-synced user preferences tied to the user’s Adobe ID — covering shortcuts, workspaces, scripts, and presets.
    2. Team-level sharing and deployment of those settings to ensure consistency across multiple users and systems.
    3. A proper migration utility for switching application language or version.
    4. A cleaned-up folder structure, as the current InDesign and Creative Cloud environment creates excessive fragmentation and clutter across system directories.

    Additionally, it’s quite concerning that as an enterprise customer, there’s no direct way to reach Adobe’s product or technical teams through the Admin Console. Even with enterprise credentials, the only available channel to report structural issues like this is via public forums. That’s not acceptable for enterprise-level support expectations.

    Adobe software produces one of the most chaotic preference folder structures in the industry. Modernizing this system to a unified, cloud-based model would eliminate countless hours of redundant setup and maintenance.
    This issue directly impacts productivity, IT efficiency, and user experience in professional environments. Please escalate this internally to both the InDesign and Creative Cloud teams for review.

    I’m happy to provide detailed workflow examples or configuration data if that helps the product team understand the enterprise-level impact.

    I’m writing as an enterprise customer managing multiple Adobe Creative Cloud licenses across a multilingual team. We frequently switch UI languages and reassign machines, so consistent environment management is essential to maintaining workflow stability.

    When switching InDesign’s UI language through Creative Cloud (for example, from Czech to English), all user-specific settings — workspaces, keyboard shortcuts, export presets, print settings, and scripts — are effectively lost.
    This happens because each language version maintains a separate preferences folder (csCZ, enUS, etc.) with no migration or shared profile mechanism. After changing the install language, Creative Cloud also misidentifies previously installed applications… more

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18. Add context tool bar to normal workspace / change/fix position

    At the moment, the context tool bar can only be fixed in its position WITHIN the document window. So it always overlaps the page I am currently working on. That annoys me.

    In Photoshop, you can fix its position above the document window, within the normal toolbar.
    I would love to see this position ability in Indesign, too. And to be able to save that as a workspace option.

    Another issue is that if I switch Indesign to another screen (I am working with two monitors) while working, the context toolbar stays in the screen I used when starting Indesign. I have to close Indesign, open it again to be able to change the position of the context toolbar.

    And i would love a possibility to integrate the context toolbar within the normal toolbar. or maybe integrate it in the "Flash"-Menu (See last screenshot)

    At the moment, the context tool bar can only be fixed in its position WITHIN the document window. So it always overlaps the page I am currently working on. That annoys me.

    In Photoshop, you can fix its position above the document window, within the normal toolbar.
    I would love to see this position ability in Indesign, too. And to be able to save that as a workspace option.

    Another issue is that if I switch Indesign to another screen (I am working with two monitors) while working, the context toolbar stays in the screen I used when starting Indesign.… more

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19. Make it possible to customize context toolbar, or just to remove text to image option

    I never need the 'Text to Image' option in the context toolbar, and it's way too easy to click it by mistake. Let users customise the context toolbar.

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20. How to Win Geometry Dash Lite

    Winning in Geometry Dash Lite requires more than quick reflexes—it’s all about rhythm, timing, and persistence. Every level is designed to test your reaction speed and ability to stay calm under pressure. Here’s how you can master it.

    1. Learn the rhythm: Each obstacle follows the beat of the background music. Listening closely helps you anticipate jumps and spikes instead of reacting too late.

    2. Practice in training mode: Use practice mode to memorize tricky sections. Don’t rush—focus on getting the rhythm right before attempting the full level.

    3. Tap lightly and consistently: Over-tapping can ruin your timing. Keep your taps short and rhythmic to stay in control during fast sequences.

    4. Stay patient: You’ll fail many times before succeeding. Each failure helps you remember the pattern better—perseverance is key.

    5. Stay focused: Avoid distractions and keep your eyes ahead, not just on the cube. Anticipate what’s coming next.

    6. Unlock new icons: Customize your cube to keep gameplay fun and motivating.

    With enough patience and rhythm, you’ll not only win levels but also enjoy the adrenaline rush of perfect timing. Master the beat—become unstoppable in Geometry Dash Lite

    Winning in Geometry Dash Lite requires more than quick reflexes—it’s all about rhythm, timing, and persistence. Every level is designed to test your reaction speed and ability to stay calm under pressure. Here’s how you can master it.

    1. Learn the rhythm: Each obstacle follows the beat of the background music. Listening closely helps you anticipate jumps and spikes instead of reacting too late.

    2. Practice in training mode: Use practice mode to memorize tricky sections. Don’t rush—focus on getting the rhythm right before attempting the full level.

    3. Tap lightly and consistently: Over-tapping can ruin your timing. Keep your taps short and… more

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