815 results found

1. hyperlink

   Currently if we embed URL link- hyperlink highlighting the word within a hidden text box, the link does not work. We have to create a multi-step setup using the Object States panel so the box appears before the link can be clicked. We have to create the text box for the hyperlink, having to match the line and indentation is a painful process when you decide to edit the main text box. There are few other steps to enabling this hyperlink box work, creating a trigger button etc. This seems quite inefficient and was hoping Adobe could enable users to click the word to embed the hyperlink within a hidden text box to work.

   Currently if we embed URL link- hyperlink highlighting the word within a hidden text box, the link does not work. We have to create a multi-step setup using the Object States panel so the box appears before the link can be clicked. We have to create the text box for the hyperlink, having to match the line and indentation is a painful process when you decide to edit the main text box. There are few other steps to enabling this hyperlink box work, creating a trigger button etc. This seems quite inefficient and was hoping Adobe could enable users to… more

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2. Avoid repeated line beginnings and endings in Paragraph Composer

   Avoid repeated line beginnings and endings in Paragraph Composer

   In professional book typesetting, repeated beginnings or endings on consecutive lines can create distracting visual patterns. For example, several consecutive lines may begin with the same short word (“de”, “the”, “of”, etc.) or end with the same letters, syllables, words, or word endings.

   There are third-party tools that can detect some of these repetitions after the text has already been composed, but correcting them manually is extremely time-consuming. Fixing one occurrence may also recompose the paragraph and create another repetition a few lines later.

   InDesign already evaluates alternative line breaks, hyphenation and spacing when composing paragraphs. It would therefore be extremely useful if Adobe Paragraph Composer could also take repeated line beginnings and endings into account when choosing the best composition.

   I am not suggesting that repeated endings or beginnings should be absolutely prohibited. Instead, they could be treated as an additional composition penalty: if two possible paragraph compositions are typographically acceptable, InDesign could prefer the one that avoids an obvious repetition.

   Ideally, this could be configurable in Paragraph Style / Hyphenation or Justification options, for example:

   — Avoid repeated line endings
   — Avoid repeated line beginnings
   — Minimum number of matching characters: 2 / 3 / 4 / whole word
   — Number of consecutive lines to consider
   — Adjustable priority or penalty

   The feature should only alter the composition when an acceptable alternative exists within the paragraph's existing hyphenation and justification settings. It should not create poor spacing merely to avoid a repetition.

   This would be particularly valuable for books, novels and other long-form editorial work. In documents containing hundreds of pages, manually finding and correcting these visual repetitions can require many hours of typesetting work.

   InDesign's Paragraph Composer already considers the paragraph as a whole rather than composing every line independently. Adding repeated line beginnings and endings as another typographic factor in that calculation would make it an even more powerful tool for professional book composition.

   Avoid repeated line beginnings and endings in Paragraph Composer

   In professional book typesetting, repeated beginnings or endings on consecutive lines can create distracting visual patterns. For example, several consecutive lines may begin with the same short word (“de”, “the”, “of”, etc.) or end with the same letters, syllables, words, or word endings.

   There are third-party tools that can detect some of these repetitions after the text has already been composed, but correcting them manually is extremely time-consuming. Fixing one occurrence may also recompose the paragraph and create another repetition a few lines later.

   InDesign already evaluates alternative line breaks, hyphenation… more

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3. Text variables with autosize frame

   Please add a feature to InDesign so that text frames with auto-size enabled will function properly when text variables are inserted into them. This would eliminate the need to convert the displayed text variable to regular text, while still allowing the frame to auto-size normally.

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4. Option to set triple click to select the line WITHOUT selecting the new paragraph symbol

   Sometimes you just want to copy the line without having to delete the new paragraph start ever time you paste.

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5. Allow use of numerical font weights instead of labels

   Please include an option to use font numerical weights in paragraph/character styles. Font weight labels are not standardized among fonts. A variant could be labelled Normal, Book, Regular, Roman, or any other label that the font foundry thought was a good idea at the time. That means in my character style menu, there are many different labels corresponding to the same weight.

   If InDesign internally tracked its weights numerically, I wouldn't have to use a separate character style for different uses of Semibold just because one foundry calls it "Semi Bold" or "SemiBold" or "SemiBd". CSS has this feature even for static fonts, so I know more than just variable fonts support this sort of functionality: https://developer.mozilla.org/en-US/docs/Web/CSS/Reference/Properties/font-weight

   This functionality doesn't even need to be directly exposed to the user; rather it could be a change to how InDesign (and Illustrator) treats font variants internally. If you use "SemiBd" for a character style, it would simply use the corresponding numerical weight if that character style is being used with a different font that doesn't call that weight "SemiBd".

   Please include an option to use font numerical weights in paragraph/character styles. Font weight labels are not standardized among fonts. A variant could be labelled Normal, Book, Regular, Roman, or any other label that the font foundry thought was a good idea at the time. That means in my character style menu, there are many different labels corresponding to the same weight.

   If InDesign internally tracked its weights numerically, I wouldn't have to use a separate character style for different uses of Semibold just because one foundry calls it "Semi Bold" or "SemiBold" or "SemiBd". CSS has this feature even… more

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6. The quick color change for a text field should change the cointaining text color.

   The quick color change for a text field should change the cointaining text color instead. The text box color control can rely on a button for selection of itself that then changes interaction of quick color controls. ****, put it in place of the OpenType button that is pretty useless to many (I for one ONLY click it accidentaly and it makes me crazy, but that's another ticket).

   It's incredibly impressive how simple and intuitive this should be. The logic... This is extremely valuable to me because since text inside InDesign irreversably ceases to be editable once Ctrl+Shift+O (Outline Txt) - and I want to avoid that - that means it's impossible to quick edit text color for multiple boxes unless with styles etc, adding extra clicks to quick sketches of ideas. b

   So that means InDesign expects selection of text inside of each and every text box, or editing of each style individually (Yes, each style, because it's impossible to have a style that only changes color, so you need to change color for texts that are the same size, font etc, at a time if you wanna do via styles). or Ctrl+I with individual clicking per text box. What's the logic in that?????

   In order to change multiple text colors at once, it's imperative that either there's turning back from outline (like Illustrator), or simply make follow the first paragraph solution to where to put the useless change the color of this text field that usually doesn't have a standard spacing and defined size and will be invisible in 99% of cases...... It's it not incredibly evident in your data that many users - including me - accepted to submit for free for years how users want to change the color of the text itself more often than the color of the box that contains the text? that box doesn't even respond when the text doesn't fit. The box only gets in the way or becomes alignment. That means, usually like one or two sides of the box are used in layoutting. How often is the fill used???

   I guess what I'm asking for is that my investment be put into something. Because I've been using InDesign, Photoshop and Illustrator for a decade now and it has become quite obvious that some features are just kept out of one of the three in order to make another of the three have a what.. ~2% increase in usage? (I'm looking at you, Outline Stroke.) The way some useless aspects of InDesign have accumulated dust and spiderwebs over the years is truly impressive. And do not get me started on how these are badly optimized in Windows... What a waste of such amazing software and IP.

   The quick color change for a text field should change the cointaining text color instead. The text box color control can rely on a button for selection of itself that then changes interaction of quick color controls. ****, put it in place of the OpenType button that is pretty useless to many (I for one ONLY click it accidentaly and it makes me crazy, but that's another ticket).

   It's incredibly impressive how simple and intuitive this should be. The logic... This is extremely valuable to me because since text inside InDesign irreversably ceases to be editable once Ctrl+Shift+O (Outline Txt)… more

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7. Feature Request: Fill Frame With Placeholder Text

   Illustrator features the ability to drag a text block and have it filled with placeholder text. Why doesn’t InDesign have that? In InDesign, we first have to create the text block and then choose Fill With Placeholder Text. Why not mirror what Illustrator does?

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8. Add toggle checkbox in spell checker for "Case Sensitive" so you can turn it off when needed.

   There are so many false positives when I use spell check, because it treats everything as a sentence. So all bullet points with uppercase style, every bit of text like websites, "mm" "cm" etc. get flagged for the first letter not being capitalized. I'd like a toggle check box named "Case Sensitive" so that I can uncheck it when working in documents that don't require a check for capitalization. Because not every text box in my document houses a grammatically correct sentence. This will speed up the process for the types of documents that I work on.

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9. Generate Text - Shorten to fix overset

   Useful option within the Generate Text function would be to rewrite/shorten the selected text to fit the available space in order to remove overset. It'd be ideal if this could be handled like a find/replace whereby the user could step through the document moving from each overset frame.

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10. Text Variables: option to replace Tabs

    Currently, a tab in a paragraph (heading) carries into a text variable that is sourced from that paragraph style, causing major spacing headaches. There should be an option in Edit Text Variable window to replace tab with a user-defined number of spaces (or any other characters, while you're at it).

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11. Feature Request: Language-Aware Punctuation Correction in "Refine Your Text" (Generate Panel)

    Hi Adobe InDesign Team,

    I would like to request an enhancement to the "Refine Your Text" option available under the Generate panel (similar to the Rewrite feature).

    ---

    Feature Request: Automatic Punctuation Correction Based on Script/Language

    What I need:
    When a paragraph is selected, I would like an option under "Refine Your Text" that:
    1. First reads and analyzes the selected paragraph
    2. Then intelligently applies correct punctuation — but based on the language/script of the text, not a universal rule

    The core problem:
    Currently, punctuation correction tools apply English/Latin punctuation rules universally. This breaks Urdu, Arabic, and Persian text because these languages have their own distinct punctuation systems.

    For example:
    - English uses: , . ! ? " " ( )
    - Urdu uses: ، ۔ ؟ — (Urdu comma ، Urdu full stop ۔, Urdu question mark ؟)
    - Arabic uses: ، ؟ ؛ — (Arabic-specific punctuation marks)
    - Persian/Farsi follows similar RTL punctuation conventions

    Expected Behavior:
    - If the selected text is in English → apply English punctuation rules
    - If the selected text is in Urdu → apply Urdu punctuation (rumooz-o-auqaf / رموز و اوقاف)
    - If the selected text is in Arabic → apply Arabic punctuation
    - If the selected text is in Persian → apply Persian/Farsi punctuation
    - Mixed-language paragraphs → detect per sentence or per segment and apply accordingly

    Why this matters — A Global Need:
    This is not just a niche request. InDesign is used worldwide by publishers, journalists, and designers working in dozens of non-Latin scripts — Urdu, Arabic, Persian, Hindi, and more. Millions of InDesign users across South Asia, the Middle East, North Africa, and Central Asia deal with this problem daily.

    Incorrect punctuation (e.g., using a Latin comma , instead of Urdu comma ، ) is a critical typographic error in professional publishing. Right now, users have to:
    1. Copy the text from InDesign
    2. Paste it into an external AI tool (ChatGPT, Gemini, etc.)
    3. Ask it to fix the punctuation
    4. Copy the corrected text back into InDesign
    5. Reformat and recheck the layout

    This is a slow, repetitive, and error-prone workflow that breaks the entire design process. If Adobe builds this directly into InDesign's Generate panel, it will eliminate this friction entirely — and it will be a major reason for non-Latin publishers worldwide to upgrade to and stay on Creative Cloud.

    A smart, language-aware punctuation refinement tool would dramatically speed up the work of millions of users who currently feel underserved by InDesign's AI features.

    Proposed Workflow:
    1. User selects a paragraph
    2. Clicks: Generate → Refine Your Text → Fix Punctuation
    3. AI detects the language/script of the selection
    4. Applies the correct punctuation standard for that language
    5. Shows a before/after preview for user approval

    This feature would make InDesign's AI tools genuinely useful for non-Latin script publishing — a massive, underserved global market.

    Thank you for considering this request.

    Best regards

    Hi Adobe InDesign Team,

    I would like to request an enhancement to the "Refine Your Text" option available under the Generate panel (similar to the Rewrite feature).

    ---

    Feature Request: Automatic Punctuation Correction Based on Script/Language

    What I need:
    When a paragraph is selected, I would like an option under "Refine Your Text" that:
    1. First reads and analyzes the selected paragraph
    2. Then intelligently applies correct punctuation — but based on the language/script of the text, not a universal rule

    The core problem:
    Currently, punctuation correction tools apply English/Latin punctuation rules universally. This breaks Urdu, Arabic, and Persian text because… more

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12. Allow text to show outside of the text frame when the last item in a Flex Layout

    When a text box is used in a Flex Layout in a vertical orientation and is the last item, any letters that render below the base line (aka descenders -> y, j, p, q), the flex box trims the text making these letters unreadable. The only workaround is manually extending the text box height to include the descender. However, when done, this affects the spacing of the Flex Layout.

    In a situation where you have individual items (example- a list of events) you want a uniform spacing between the event title, date, time, and location replicated across multiple events. For organization, you would have a parent flex layout (all events) and children flex layouts (individual events). Adjusting the size of the last text box to make the descenders visible affects the spacing of this event, in turn, affecting the spacing between all of the events in the list.

    Currently, the Flex Layout seems to work best for a) non-text items, or b) text items with a non-text item at the end for vertically oriented layout. I don't see a situation where trimming text in InDesign is ever useful.

    According to InDesign support, this is functioning as designed. I would believe this is a bug but posting to Feature Requests.

    When a text box is used in a Flex Layout in a vertical orientation and is the last item, any letters that render below the base line (aka descenders -> y, j, p, q), the flex box trims the text making these letters unreadable. The only workaround is manually extending the text box height to include the descender. However, when done, this affects the spacing of the Flex Layout.

    In a situation where you have individual items (example- a list of events) you want a uniform spacing between the event title, date, time, and location replicated across multiple events. For… more

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13. Split “Hyphenate Across Columns” into Separate Options

    Please split the current Hyphenate Across Columns option into separate settings:
    - Hyphenate Across Columns
    - Hyphenate Across Text Frames
    - Hyphenate Across Pages
    - Hyphenate Across Spreads

    These are different typographic cases. In many layouts, hyphenation only needs to be prevented across spreads, sometimes across pages, while it should remain allowed across columns and text frames.

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14. Split Hyphenate Capitalized Words into Two Separate Options

    Please split the current Hyphenate Capitalized Words option into two separate settings:
    - Hyphenate ALL-CAPS words
    - Hyphenate Words Beginning with a Capital Letter

    These are different typographic cases. Acronyms and all-caps abbreviations often should not be hyphenated, while proper names or capitalized words in titles may need normal hyphenation.

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15. Sync Font Favorites between InDesign and Illustrator

    Sync Font Favorites between InDesign and Illustrator and keep them safe between updates. This is a very important feature for designers since it takes time to curate a list of favorite fonts and to repete that in other Adobe apps is cumbersome and time consuming and prone do diferences between them.

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16. Does the font selection in the Paragraph Styles panel not support autocomplete suggestions?

    When selecting a font.
    The Paragraph Styles panel has no filter or autocomplete feature.

    Just like in the Control Panel, where font selection is filtered and suggested as you type.
    This feature seems to be missing in the Paragraph Styles panel, the Find and Replace Fonts panel, and the Composite Font Settings.
    It’s very inconvenient.

    I wonder if there will be improvements in version 2026.

    Also, it’s very inconvenient that you can’t quickly jump to the current font’s position in the font list.

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17. Add sentence case to character options

    Add sentence case to the character options (alongside all caps, small caps, lowercase, etc.). My clients often send content with titles typed in all caps, and I’d like a quick, reliable way to convert them to sentence case (and/or title case).

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18. Spell check

    My biggest frustration is the mediocre or completely missing spell check. It may work in English, but unfortunately not in Dutch. For me, and I believe for many others as well, this could be a great update.

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19. Subject: Request for 'Point Type' tool in InDesign (Like Illustrator)

    Hi Adobe Community and Team,

    I am transitioning from CorelDRAW and Illustrator to InDesign for my publication projects. While I understand that InDesign is frame-based, I find it very cumbersome that we cannot simply click and type without manually creating a text frame first.

    In Illustrator, we have 'Point Type' where a single click allows us to start typing immediately. This would be a huge time-saver for small labels, page headers, or quick annotations in InDesign as well.

    Is there any plan to introduce a 'Point Type' behavior or a shortcut to create a text frame with a single click in future updates?

    Thanks!

    Hi Adobe Community and Team,

    I am transitioning from CorelDRAW and Illustrator to InDesign for my publication projects. While I understand that InDesign is frame-based, I find it very cumbersome that we cannot simply click and type without manually creating a text frame first.

    In Illustrator, we have 'Point Type' where a single click allows us to start typing immediately. This would be a huge time-saver for small labels, page headers, or quick annotations in InDesign as well.

    Is there any plan to introduce a 'Point Type' behavior or a shortcut to create a text frame with a single click… more

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20. Place and Link to user to work without having to map new styles

    To the InDesign Product Team,

    I am writing to provide feedback on the Place and Link (Content Collector) workflow. While the ability to sync text content across a document is invaluable, the current implementation of the "Parent-Child" relationship is overly restrictive and creates significant manual rework for designers.

    The Problem: Currently, when a Parent object is updated, the Child object frequently reverts its font size, frame dimensions, and character treatment to match the Parent—even when "Preserve Local Overrides" is enabled. While "Style Mapping" exists as a workaround, it is an overly complex solution for a simple design need: keeping the words synced while keeping the design independent.

    The Proposed Solution: I request a more intuitive "Link Options" toggle that allows a Child object to permanently lock its local formatting. Specifically:

    Content-Only Sync: A high-level checkbox that tells the Child to only accept string (text) updates, ignoring all Parent-side attributes like point size, leading, tracking, and color.
    
    Geometry Independence: An option to decouple the frame's scale and dimensions from the Parent permanently, without needing to dive into complex sub-menus.
    
    One-Click "Stay as I Am": A simplified "Link Options" dialog where "Preserve Local Overrides" actually functions as a master lock for all visual attributes, rather than being overridden by "Update Appearance" or "Update Styles" flags.
    

    The "Place and Link" tool should function as a content-management bridge, not a formatting mirror. Designers need the flexibility to use the same text in a large headline (Parent) and a small sidebar (Child) without the software constantly fighting their layout decisions.

    Thank you for your time and for continuing to improve the industry standard for layout design.

    Best regards,

    To the InDesign Product Team,

    I am writing to provide feedback on the Place and Link (Content Collector) workflow. While the ability to sync text content across a document is invaluable, the current implementation of the "Parent-Child" relationship is overly restrictive and creates significant manual rework for designers.

    The Problem: Currently, when a Parent object is updated, the Child object frequently reverts its font size, frame dimensions, and character treatment to match the Parent—even when "Preserve Local Overrides" is enabled. While "Style Mapping" exists as a workaround, it is an overly complex solution for a simple design need: keeping the… more

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